Phoning It In

Eli Kramer's picture

Love the phone acting. It was so good to connect with Larissa again, and to have her take the upper hand. At the end of the call, I was still in it. She'd hung up and I was calling her name into the dead phone.

Alex's long takes and deep preproduction frees the actors so much already, but now, here I was pacing my living room, another level removed and somehow another level invested. There was a one-take vibe and that's what happened.

While I just shot one full day, I can feel the tendrils of this story proliferating and morphing as the shooting continues. The story isn't so much filmed as it is seeded, cultivated and harvested. I have a stronger than usual sense that these characters are living.

"This second feature by Alejandro Adams confirms him as an arresting talent. [Viewers] may be fascinated to the point of repeat viewings to sort out its myriad characters and half-buried clues."
-- Dennis Harvey, Variety


"Micro in budget, macro in ambition, accomplishment, and scope, Adams's slyly withholding film prompts multiple viewings--and deserves them."
-- Jim Ridley, Village Voice


"Wildly ambitious...an overwhelming and surprisingly fresh-feeling sense of dystopian dread."
-- Karina Longworth, Spout


"[CANARY is] terrific...very creepy and uncanny. It's quite an achievement."
-- Phillip Lopate


"Mysterious, elliptical, Bresson-like. [CANARY] is to biotech what PRIMER was to time-travel."
-- Richard von Busack, Metro


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