Preproduction Shows

Eli Kramer's picture

Alex's hand could be felt all over this shoot, but he used relatively few words. The atmosphere was controlled and efficient, but soft and open. It's no joke to coordinate a three-camera shoot, but the whole thing was so low key. Nothing got in the way. It seemed like we were shooting a lot of the time. Our cohesion as an ensemble for that day's scenes was 95% there when we arrived; the casting was that good. Very nice.

"This second feature by Alejandro Adams confirms him as an arresting talent. [Viewers] may be fascinated to the point of repeat viewings to sort out its myriad characters and half-buried clues."
-- Dennis Harvey, Variety


"Micro in budget, macro in ambition, accomplishment, and scope, Adams's slyly withholding film prompts multiple viewings--and deserves them."
-- Jim Ridley, Village Voice


"Wildly ambitious...an overwhelming and surprisingly fresh-feeling sense of dystopian dread."
-- Karina Longworth, Spout


"[CANARY is] terrific...very creepy and uncanny. It's quite an achievement."
-- Phillip Lopate


"Mysterious, elliptical, Bresson-like. [CANARY] is to biotech what PRIMER was to time-travel."
-- Richard von Busack, Metro


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